A Germanic Tragedy

by Colin Young
(Perth)

I have just finished reading The Children of Hurin. This is one of the few Tolkien works which gives a deep psychological portrait, within the limitations of the saga-like method of storytelling, of a main character.

By showing us in detail the early childhood of Turin, and in particular the relationship he has with the woodcutter after his father never returns from battle, we gain many insights into why he develops into such a self-conflicted and complex adult.

I would not be surprised if this work is viewed as semi-autobiographical by many people, especially when we consider that Tolkien was an orphan.

I was deeply moved by this story, and delighted in particular in the way each different episodic locale of Turin's life reflects symbolically some aspect of his character, or of people's lives in general.

For example, his sojourn among the outlaws, as well as reminding me of Luke Skywalker and the rebels (and a little of Robin Hood), takes place in an often harsh wilderness symbolic of Turin's isolation from everyone else.

Similarly the scenes on the hill with Mim the dwarf suggest something symbolic and universal, such as an isolated position from which to observe the world.

Despite its difference from his other works, this novel clearly deals with familiar themes: freedom of choice, fate, developing maturity, and the meaning of courage. Where it differs markedly is its focus on desperation, cruelty, and betrayal.

I cannot rate this book too highly among the works of Tolkien.